Megan Dowsett is a freelance creative consultant working with museums and galleries.

Through the name Norris and the Flamingo, she shares the sense of adventure that runs through all of life, wherever we are on our journey. A sense of imagination, of possibility and discovery, for children and adults alike.

Her core values come down to two simple things:

People: At the heart of everything she does, people are there – be it audiences of any age or background, volunteers, staff or freelancers and apprentices. She believes that the best projects take everybody with them on a learning journey.

Creativity: In every role she’s taken, creativity has played a key priority. Working in Museums and Galleries, creativity brings a valuable opportunity to think about the same things in a different way.

Museums and galleries are the perfect place to bring the joy of discovery and magic of adventure to everyone who passes through the doors - and to invite those who haven't yet braved these sometimes intimidating buildings, to do so in a dynamic and inviting way.

Over twelve years working in these exciting settings, Megan has developed extensive experience in both managing and delivering creative projects that engage with a wide variety of audiences.

20 February 2018

From Bag to Beast

After years of making lampshades from plastic bags, it seemed time to push the boundaries of audience and time frame for working with this luxurious medium.  Last weekend I delivered short workshops for families at Roald Dahl Museum and Story Centre.  Sadly the weather didn't favour us with the glowing sunlit backdrop that I hoped for, but still, we managed a lovely array of beasts from our new textured material. 20180210_125548 Little time to gather photos, and sadly the weather was not in the mood to light up our creations but here's a quick shot.

30 January 2018

Schools at Brixton Windmill

I have spent the past three months reviewing the schools programme for Brixton Windmill.  It has been an incredible journey, and I've learnt a huge amount about my local area - what a privilege to do a project on my own doorstep!  From cogwheels to maps and census documents, and folktales to historical costumes, I've traveled a long way in a short time.  Watch this space for updates to the website.20180122_110021 Over the last couple of weeks, I've delivered trials of the four new primary workshops with local schools.  It's rewarding to work directly with this audience again, and no matter what innovative learning strategies I'm able to offer, to be reminded that the most exciting and enriching part of any educational visit is the building itself.

This adventure has brought me face-to-face with the national curriculum once more, and exchanges with so many people - teachers, volunteers at the Windmill and fellow Museum professionals - have left me feeling empowered, enriched and excited for the next step on my journey.  I've also had ample opportunity for reflection, sitting down with the impressive Friends of Windmill Gardens to consider what their aims for the learning programme are, which audiences we most want to work with and how best to achieve that.

Time for a morning off!

14 January 2018

Laydeez do Comics

Blog 1 I was delighted to stumble across Laydeez do Comics in an old email, thrilled to realise I could actually attend the next gathering, and brazenly offered my blogging services. Having, admittedly, not quite realised the brilliance of my blogging predecessors. Blog 2 An awe-inspiring evening in the gorgeous Teahouse Theatre, a warm, warm welcome and a whole bunch of creative people who do not require me to turn up reliably at every meeting - most exactly what I need! A new book that seems to have taken my precise life situation and put it into pictures and writing, thanks Richy K Chandler. Blog 3 And a new book to come that looks likely to embrace all my dreams about the potential of a graphic novel and tell - well, a much-needed story. Thanks Lucy Sullivan.

7 January 2018

The Boat

I found myself listening to a Digital Arts programme on Radio 4, and a discussion of The Boat, an interactive graphic novel by Matt Huynh.  Intrigued and excited by the idea of a new art form, a new way of forming narrative that combined illustration and animation differently, I did something I rarely do - I went online and watched it immediately.

And I can't work out what I think, actually.
I loved it.  I wanted to love it.  I dreamed of being surprised by something utterly 'out there' and beyond anything I could conceive, while still being beautiful and illustrative (I'm not so fond of the overly digital stuff).  I am always waiting to be surprised by something I've never even imagined, so you can guess how high I set my expectations!  I watched (and read) Persepolis some time ago and it has also set the bar extremely high - nothing has beaten it since!

I'd like to mention that my experience of graphic novels is mixed, too.  I'm frequently entranced by the beauty of the cover, and often frustrated by the generic 'comic strip' style of the illustrations.  I expect too much - there is a lot to fit into small images that need to be understood quickly, and so it makes sense that they are simple and usually monochrome.

Meanwhile, I am an avid reader - more than anything else, I relax by sinking into the world created by whichever novel I'm reading at the moment.  So graphic novels sometimes fall short of my narrative, literary need by feeling a bit too simplistic, and I read them too fast - I don't know how to dwell on them, to soak in the depth of the story visually rather than descriptively.

How was The Boat going to fit in with all this experience, these expectations?

Well.  The introduction was bewitching, enticing - beautiful, inky brushstrokes creating an animated scene that set the whole stormy backdrop beautifully.

And throughout, the illustrative style was exquisite.  Emotive, painterly, atmospheric.  I loved that I could see the layers of ink used to build the story.  I loved that the artist allowed pools and blotches to play their role.
I think I also liked the text.  As mentioned above, for me it served well to deepen the story, and I found it beautifully written.  A couple of the panelists commented that it was perhaps 'overwritten', and having seen it, I suspect they were referring in particular to a few sentences towards the end which were absolutely, painfully unnecessary, when the images would have stood alone perfectly.

But I can't help wondering how much was added to the piece by making it a digital work?  The radio show played a piece of music that was used within the soundtrack and I was thrilled by the idea that the piece had a musical soundtrack.  It returned me to ideas that I first explored with Kandinsky and friends through The Blue Rider - this group of artists, musicians and philosophers were absorbed by the inter-relation of art forms.

Anyway, the music was beautiful, but actually it was a song that supported two particular parts of the narrative.  The rest of the soundtrack was very sensitively done - the sound of waves, for example - a click or a shudder to correspond with a sudden movement on the boat.  And a lot of silence.  While I'm glad that the soundtrack wasn't over-worked, I also couldn't help feeling that perhaps it was hardly necessary at all.  What I most often felt myself wanting was a voice - a voice that narrated the story.  It felt strange to read the words on screen, amidst animation and soundtrack.  Perhaps I am too embedded in film culture.
So I'm still a little undecided.  I have watched a beautiful, evocative graphic novel with a stunning short-storyline that as a narrative was, I think, spot on.  I'm happy and inspired, but I feel as if I watched it through a powerpoint presentation with some amazing gimmicks!

I thought this might finally convert me to the possibilities of the digital world, but perhaps at the end of the day I'm still just a luddite, who loves the feel of paper between my fingers and the space to pick up and put down a book as often as I like, wherever I like.

30 December 2017

Santa Sticks

20171222_234010Too late for this year, but I can't resist sharing anyway! Merrily made by Feets, her friend Georgia and myself, our last festive hurrah for this year. But I'll remember to bring out my coloured foil collection again - it worked a treat with the little ones!

26 December 2017

Origami at London Transport Museum

20171213_133348I was at the London Transport Museum the other day and rather pleased to see how families had chosen to add their origami creations to the seasonal decor there - it's something I find joyful about families and museums, that they are so proud and excited to contribute their work to something bigger, and not always take it home to put on the fridge!

Origami is replaced by candle holder making over the Christmas holidays, but will be back for a few days at the beginning of January.

19 December 2017

From Paper Plate to Christmas Angel

20171219_120643Another morning of craft with Feets, her friend and Baby Bean. Feets declared she wanted to paint her angel, so finally my reason for hoarding gold paint all that time became clear - it's always a bonus when the children ask to do something feasible!