Megan Dowsett is a freelance creative consultant working with museums and galleries.

Through the name Norris and the Flamingo, she shares the sense of adventure that runs through all of life, wherever we are on our journey. A sense of imagination, of possibility and discovery, for children and adults alike.

Her core values come down to two simple things:

People: At the heart of everything she does, people are there – be it audiences of any age or background, volunteers, staff or freelancers and apprentices. She believes that the best projects take everybody with them on a learning journey.

Creativity: In every role she’s taken, creativity has played a key priority. Working in Museums and Galleries, creativity brings a valuable opportunity to think about the same things in a different way.

Museums and galleries are the perfect place to bring the joy of discovery and magic of adventure to everyone who passes through the doors - and to invite those who haven't yet braved these sometimes intimidating buildings, to do so in a dynamic and inviting way.

Over twelve years working in these exciting settings, Megan has developed extensive experience in both managing and delivering creative projects that engage with a wide variety of audiences.

30 August 2011

Talent on fabric - Heat transfer inks in action

IMG_3316Exploring the vivid magic of transfer inks during the holiday workshops, I was particularly inspired by the creativity, vision and experimentation of two sisters. here are the fabric landscapes of Beth (above) and Kate (below).IMG_3320

16 August 2011

Printing the Torres

As I collaged my photos from Torres del Paine the other day, it dawned on me that the shapes I was cutting would also 'feel' rather landscape-ish ... and so, even as I tried to embark on a new technique, I found myself once more building a collograph. And the 'quick prints' I intended to make turned into epic adventures of intaglio exploration.
Torres 2
Above, the traditional black intaglio print; below, an initial experiment with black and white onto sugar paper. It's not a good print yet, but I'm rather excited by the effects and colours!
Torres 1

15 August 2011

Earth Sculpture

Earth Sculpture 016
Another day of elements, this time, Earth Sculpture ... With my 6-9 year olds, I felt they had used clay plenty of times so was out to try something new. Thus, the messiest day (well, another messy day) in Orleans House history, as we explored ways of using kinds of earth to make sculpture. Compost, the original earth, secretly embedded with seeds that, fingers crossed, will spring into giant bean stalks. And sand, the one material that every child already sculpts every summer, without an atom of encouragement ...
Earth Sculpture 014

13 August 2011

Characterising the Winds

Collograph 003Summer Holidays again, and a week of activities, 'Elements of Art'. So with the teenagers (well, 9-14s), we printed air, so to speak. I've long been drawn to the characters of the different winds as expressed in fables and drawn into the corners of ancient maps, so I asked my groups to think of how they could characterise the winds in the collographs. From the aggressive north wind to the cheeky east wind and gentle west wind, we had a lovely selection of plates to print from.
Collograph 007
As is often the case with collographs, some got luckier than others in the final prints they achieved form their plates, but here is one print and one plate, to give you a taste ...

6 August 2011

The surreal landscapes of Torres del Paine

Condor Landscape_0001I thought it was high time I shared something I'd been up to myself, so although it's very early stages in my latest project, here are today's collaged landscapes, using photos from Torres del Paine. This may, eventually, lead to a back drop for my condor box... one of my seven intended 'bird boxes' inspired by the birds of South America.
Condor Landscape_0002

2 August 2011

Home for Orphaned Dishes

I found another incredible exhibit at the Whitechapel and it made me smile. Alan Kane has collected the rejected pots from charity shops, and displayed them as you would archaeological relics. They look amazing. But not only that, he's opened up half the space to be filled by us, the junk-shopping public, and the relics we find in charity shops. What fun! So, I'm off to trawl the dusty shelves of Balham's charity shops ...