Megan Dowsett is a creative consultant working in museums, galleries and the arts, an illustrator who is finding her voice through personal and local projects, and a parent to two young beings who can't help but influence her creative journey.

Through the name Norris and the Flamingo, she shares the sense of adventure that runs through all of life, wherever we are on our journey. A sense of imagination, of possibility and discovery, for children and adults alike.

26 September 2017

Museums and Participation

Yesterday afternoon found myself and some fifty other professionals from across the heritage world, discussing loneliness on every level.  It was the first meeting of MAP, a new network with a mission to push the boundaries of community engagement and interrogate the ways in which we work with our community.  For me, it was a new way to engage with my colleagues – to start out on a very broad but specific theme, and to interrogate this theme on all its levels.  The MAP team had put together an incredible range of speakers, and ensured that they each took a different perspective on the same theme.  

So we explored the notions of institutional loneliness – of a museum that is separated from its immediate community, for example – as well as cultural loneliness – looking at the invisible borders and barriers within a community.  We considered the more traditional but equally important ways that engagement teams consider loneliness – thinking of individuals from the community who have become isolated through a broad range of circumstances.  And we were challenged to probe whether what we really do is chase the funding - which audience is 'in fashion' now, and how can we find a way toward lasting engagement?  Finally, we were asked to think about something more personal, let's call it professional loneliness – the feeling of bearing the needs of your participants and the burden of a community project alone.

Breakout groups explored each of these ideas – I found myself discussing personal loneliness, among a group who turned out to be almost entirely freelance.  Space here, I think, for us to develop co-coaching (as someone phrased it) or support groups, as well as exploring team building within the organisations where we work.

It was an inspiring session – enormous thanks to the team of some nine organisers (too many to name, I apologise!).  I’m not a tweeter (yet!) but you can find MAP on twitter, from where I have pinched the photographs, here:  #museumsparticipation

12 September 2017

Round and Round the Garden

Round the Garden Small A slow, year-in-the-making project, I decided to illustrate one of my children's favourite nursery rhymes. With time, I hope more will follow ...

6 September 2017

World Illustration Awards at Somerset House

I made it to the World Illustration Awards exhibition at Somerset House - and I'm so pleased to have done so!  Sometimes I feel I spend too much time inspiring myself with illustration exhibitions when I drown myself in children's books at home every day, but this one - well, this exhibition was great.  Not just final images, but sketches in progress, a range of media, and interviews with artists.
And I was reminded of the wonder of illustration across the genre - that I am inspired by it every day in advertising, theatre, magazines ... Sometimes I feel embarrassed to be taking photos of billboards on tube journeys and collecting flyers simply because they're beautiful - this exhibition reminded me that this is exactly why I do that.  Above illustration, Ten Miles East wine label by Sam Pierpoint.
20170826_172123 It's too tempting to share everything, so here instead are the notes from my sketchbook!