Megan Dowsett is a creative consultant working with museums and galleries, and an illustrator who is finding her voice through personal and local projects.

Through the name Norris and the Flamingo, she shares the sense of adventure that runs through all of life, wherever we are on our journey. A sense of imagination, of possibility and discovery, for children and adults alike.

16 June 2019

Easter Decorations

I've never been keen on the abundance of egg decorations at easter, since it seems to me more absorbed by chocolate than the original 'new life' thinking.  But this year, I've been completely converted. 20190419_131901 The simplicity of the egg shape gave us a framework for a day of painterly experimentation, for Feets, Bean and a schoolfriend.  And results which made lovely bunting.  I admit, I wandered around Pinterest looking for things that would pique not only the children's interest, but mine too. 20190419_132203 We tried:
- PVA and salt painting ... MAGICAL!  What a discovery!  The colours faded a little as they dried, but the texture of the painting and magic of watching the colour run through the salt crystals was wonderful.

- Painting doilies with watercolours, and mounting them onto coloured paper.  Also wonderful in being absolutely effective for all three children, even two year old Bean.

- Wax resist.  Again, five-year old Feets and her friend were thrilled to draw 'invisible' lines with a white candle, and reveal them afterwards with paint.  Less successful for Bean, but she was so happy to be painting that she didn't even realise she was missing anything.

Four happy ladies!  

2 June 2019

Dior at the V&A

20190424_105755 It was a spontaneous visit, one in company, and at a fraught time mentally. So I didn't take my sketchbook, nor did I linger, but it was fun to explore the V&A's Dior exhibition in a social capacity - something I rarely do.

As much as the dresses were spectacular, varied, abundant and awe-inspiring, the setting reflected this luxury just as much.  And so, ironically, the strongest memory for me was one mystical room which overflowed with white, paper-cut flowers.  What a gorgeous luxury of exhibition interpretation!  Every room had a very distinct atmosphere, theatrical to say the least.
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